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Sfinţii Împăraţi Constantin şi Elena

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Sfintii Constantin si Elena, "cei intocmai cu Apostolii", sunt pomeniti in Biserica Ortodoxa pe 21 mai.
Sarbatoarea Sfintilor Constantin si Elena este strans legata de taina si puterea Sfintei Cruci – semnul central al religiei crestine. Sfantului Constantin i s-a aratat pe cerul amiezii semnul Crucii spre biruinta (In hoc signo vinces – “Intru acest semn vei invinge”), in pragul infruntarii cu paganul Maxentiu, iar Sfinta Elena, mama sa, a descoperit la Ierusalim Crucea pe care Mantuitorul a fost rastignit. Sfanta Imparateasa Elena a trecut la Domnul la anul 327, putin dupa intoarcerea de la Ierusalim, iar Sfantul Imparat Constantin in 337, dupa 31 de ani de domnie.

The 21st of May is a very big holly day as we celebrate the saints Constantin and Elena. Constantin the Great was a leader of the Roman Empire who lived around 300 A.D. He was the son of Queen Elena and the first Christian Roman Emperor.
He established the new capital of Rome at the old Greek town of Byzantium, which he renamed after himself (Constantinople) and which would be the capital of the Eastern Roman (Byzantine) Empire. He raised Christianity to the status of a “permitted religion.” He took a direct interest in matters of doctrine and called the first Ecumenical Council of the Catholic Church at Nicaea.In traditional calendar, this event is known as Constantine Starling (Constantin Graur) or Cubs’ Constantine (Constantin al Puilor). Elders say that on this day birds teach their offspring to fly. May 21 is also an occasion for Romanians to celebrate their name day.
Known as those who made Christians free, the two emperors Constantine and Helen became true protectors of the Christians. During his reign, Emperor Constantine adopted a series of measures in favor of the Church and priests. They say his mother, Queen Helena,used to help oppressed Christians.

SOLARIS - Tabula Rasa (Arvo Pärt)

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“We take off into the cosmos, ready for anything: for solitude, for hardship, for exhaustion, death. Modesty forbids us to say so, but there are times when we think pretty well of ourselves. And yet, if we examine it more closely, our enthusiasm turns out to be all a sham. We don't want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos. For us, such and such a planet is as arid as the Sahara, another as frozen as the North Pole, yet another as lush as the Amazon basin. We are humanitarian and chivalrous; we don't want to enslave other races, we simply want to bequeath them our values and take over their heritage in exchange. We think of ourselves as the Knights of the Holy Contact. This is another lie. We are only seeking Man. We have no need of other worlds. A single world, our own, suffices us; but we can't accept it for what it is. We are searching for an ideal image of our own world: we go in quest of a planet, a civilization superior to our own but developed on the basis of a prototype of our primeval past. At the same time, there is something inside us which we don't like to face up to, from which we try to protect ourselves, but which nevertheless remains, since we don't leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned and that reality is revealed to us - that part of our reality which we would prefer to pass over in silence - then we don't like it anymore.”
Stanisław Lem, Solaris 


1. Tabula Rasa: I. Ludus -- Con moto (Arvo Pärt)
2. Tabula Rasa: II. Silentium -- Senza moto (Arvo Pärt)
3. Company for String Orchestra: Movement I (Philip Glass)
4. Company for String Orchestra: Movement II (Philip Glass)
5. Company for String Orchestra: Movement III (Philip Glass)
6. Company for String Orchestra: Movement IV (Philip Glass)
7. "Come In!": Movement I (Vladimir Martynov)
8. "Come In!": Movement II (Vladimir Martynov)
9. "Come In!": Movement III (Vladimir Martynov)
10. "Come In!": Movement IV (Vladimir Martynov)
11. "Come In!": Movement V (Vladimir Martynov)
12. "Come In!": Movement VI (Vladimir Martynov)
13. Darf ich (Arvo Pärt)

About this album:

Silencio is a meditative collection of 20th-century works for string orchestra, including works by Arvo Pärt, Philip Glass, and Vladimir Martynov. The disc is bookended with works by Pärt, whose Tabula Rasa opens the disc. The work was written for and dedicated to Kremer, violinist Tatjana Grindenko and conductor Eri Klas (all featured on this recording), who premiered it in 1977 in Estonia. It was recorded live for release on ECM later that year. Tabula Rasa is scored for string orchestra, solo violins and prepared piano.

The Clay Castle - Castelul de lut Valea Zânelor

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La nici 50 de km de Sibiu, la Porumbacu de Sus, in Valea Zanelor, gasim Castelul de Lut desprins parca din povestile fratilor Grimm: in mijlocul muntilor, pe malul unui rau, inconjurat de vegetatie. Turistii vin pana aici doar ca sa-l vada si sa faca fotografii.


A childhood dream came true for Răzvan Vasile! The fairytale castle is today a real one, which, he hopes his son will enjoy with family and friends. It was not easy to raise it up, but the determination that he had, helped him to carry out a project that would have seemed impossible to many.  
"I wanted it tobe a house from fairytales,because we havea little boyof seven years oldand I traveledthe countryin varioushostels.I wanted thisto be something else, "said RazvanVasile.
The castleis located40 km fromSibiu, in the Fairies’ Valleyand it will become a pension. It hasten roomsandafootprintof 320 square meters. It was built bycraftsmenandworkersofMaramures.
The foundation ismade of concreteand stones, the structure is woodand the wallsare builtofcob(log ofolidandthen covered withcob), a mixture ofearth, water,straw, clay and sand.The exterior wallsare 60cm thickand the interior walls have a thickness of 45 cm.

"The exterior plastering is of limeand sandand the towers are of river stone, builtwith lime andsand," explained RazvanVasile, forcasenaturale.org. Everything ismadewith natural materials, and the windows and doors aredifferent, each roomhavingits own separate entrance.



Arta Sportului by Camelia Potec

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Intre 18 şi 26 iunie, în Piaţa George Enescu din Capitală va fi instalată o piscină de 20x10 m, cu adâncimea uniformă de 1,5 m. Aici vor fi organizate cursuri de înot pentru copii, activităţi acvatice, precum aqua fitness, aqua gym, aqua bike, aqua boxing, iar seara va fi deschisă bucureştenilor dornici să înoate de plăcere. Pentru cei care nu vor să intre în apă, în zona piscinei vor fi organizate activităţi recreative, workshopuri de pictură, desen, fotografie şi alte surprize, plus locuri de joacă pentru copii. Toate aceste activităţi sunt gratuite. Toţi cei care vor să participe la activităţile din bazin trebuie să aducă de la medic o adeverinţă medicală că este apt de efort şi un aviz epidemiologic.
Va asteptam sa inotati , sa desenati si sa va distrati la  Arta Sportului by Camelia Potec
si la standul Graphis Advertising!

Sun Flower Story

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...sunt vânzătorul
de speranţe -
menirea mea este să lupt
pentru lumea galbenă
a lui van Gogh...
....sunt vânzătorul
de floarea soarelui -
menirea mea este să lupt
pentru visul galben
al lui Vincent...
....sunt măscăriciul
care-şi roteşte sufletul -
menirea mea este să lupt
pentru sufletul galben,
pictat de Vincent van Gogh!

Daniela Voiculescu

Amused to death

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'Doctor Doctor what is wrong with me
This supermarket life is getting long
What is the heart life of a colour TV
What is the shelf life of a teenage queen
Ooh western woman
Ooh western girl
News hound sniffs the air
When Jessica Hahn goes down
He latches on to that symbol of detachment
Attracted by the peeling away of feeling
The celebrity of the abused shell the belle
Ooh western woman
Ooh western girl
And the children of Melrose
Strut their stuff
Is absolute zero cold enough
And out in the valley warm and clean
The little ones sit by their TV screens
No thoughts to think
No tears to cry
All sucked dry
Down to the very last breath
Bartender what is wrong with me?
Why am I so out of breath?
The captain said excuse me ma'am
This species has amused itself to death
Amused itself to death
Amused itself to death
We watched the tragedy unfold
We did as we were told
We bought and sold
It was the greatest show on earth
But then it was over
We ohhed and aahed
We drove our racing cars
We ate our last few jars of caviar
And somewhere out there in the stars
A keen-eyed look-out
Spied a flickering light
Our last hurrah
Our last hurrah
And when they found our shadows
Grouped around the TV sets
They ran down every lead
They repeated every test
They checked out all the data on their lists
And then the alien anthropologists
Admitted they were still perplexed
But on eliminating every other reason
For our sad demise
They logged the explanation left
This species has amused itself to death
No tears to cry, no feelings left
This species has amused itself to death
(switch channels)
And that always sort of worried me. And having seen him, and his name in the register - as you know in the memorials there's a little safe, there's a register in there with every name - and seeing his name and his name on the memorial; it sort of lightened my...heart, if you like."
[woman:] "When was it that you saw his name on the memorial?"
[Alf:] "Ah, when I was eighty-seven, that would be the year, ninete...eighty-four, nineteen eighty-four."
 
Amused to Death is a concept album, and the third studio album by former Pink Floyd bassist/vocalist Roger Waters. It was released in 1992
 

Temple Invisible - Kulturama

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 „ It is enough that you enter the temple invisible " 
Khalil Gibran











"Everything From Above" [Lyrics]

See everything from above
Feel being made out of love
All that we are or seem
Is a dream within a dream

I am what I am
I am the life to sustain
All that we are or seem
Is a dream within a dream

Infinite has no direction
Being is only intention
All that we are or seem
Is a dream within a dream

Strangle my wishes to death
Offer my ego to Seth
All that we are or seem
Is a dream within a dream


Lotusi in Parcul Circului

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E stabilit faptul că cei mai mulți bucureșteni trăiesc acolo unde se nasc - în cartierul lor, adică. Mai ajung la vreun mall, mai au ocazia să muncească prin alt sector - dar ei, acolo-și duc viața: la ei în cartierul de baștină.
Bucureșteanul autentic habar n-are, de multe ori, cum să ajungă în Piața Romană; pe unde se intră în Gara de Nord; dacă Giuleștiul e lîngă Colentina sau Giurgiului…
Nu glumesc.
Uneori îmi vine să fac o listă - cu acele locuri pe care cineva trebuie să le vadă, dacă tot trăiește-n orașul ăsta. Dar n-am făcut-o niciodată.
Și, cu toate astea, sînt locuri unde-ar trebui s-ajungi; să vezi ce-i acolo. Să intri-n Ateneu, să te plimbi pe Calea Victoriei sau între Romană și Unirii. Să ajungi în Parcul Carol și - poate - să vezi străduțele-n pantă din-prejur. Să urci la Mitropolie, să vezi Gara, să bați Cotroceniul, să caști gura prin Obor, să intri-ntr-un talcioc, să vizitezi Cimitirul Bellu, să pășești într-un muzeu, să stai pe bancă-n Grădina Botanică, să călătorești cu tramvaiul…
Multe, multe-s de făcut în București.
Și mai știu una-n plus: să mergi să vezi nuferii din Parcul Circului. Să-i prinzi înfloriți și să te minunezi că așa ceva, atît de frumos, se poate găsi-n orașul ăsta.
Si inca nu v-am spus despre atractia parcului – in mijlocul sau se afla “Lacul cu izvoare naturale”, pe marginea caruia cresc superbii lotusi egipteni si o perdea inalta de stuf.
Desi pare greu de crezut, acesti lotusi pe care ii puteti admira oricand in Parcul Circului, au fost numiti "suflarea vietii" in inscriptiile egiptene, acum cateva mii de ani.
Pentru ca noaptea se inchid si coboara sub apa iar dimineata se inalta si infloresc din nou, lotusii au devenit un simbol viu al creatiei si soarelui, al renasterii. Folositi la festivitati si oferiti in dar ca semn de prietenie, lotusii erau considerati sacri, chiar Egiptul faraonic fiind asemanat cu o floare de lotus, tulpina fiind fluviul si floarea - delta./ metropotam



Royal funeral for Romania's Queen Anne

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Queen Anne of Romania 
 (Anne Antoinette Françoise Charlotte Zita Marguerite of Bourbon-Parma,
18 September 1923 – 1 August 2016
 was the wife of former king Michael I of Romania.

A royal funeral takes place in central Romania on Saturday.
Anne of Romania will be buried at Curtea de Arges. A day of mourning has been declared in both Romania and Moldova, and flags will fly at half-mast. She died in hospital in Switzerland on 1 August, aged 92. 



 Photograph: Andreea Alexandru/AP

https://en.wikipedia.org/wiki/Queen_Anne_of_Romania



Alone With Everybody - Charles Bukowski

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'the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.'

Alone With Everybody - Charles Bukowski

Thassos spirit

Hieromartyr Cyprian The Bishop Of Carthage

Valeriu Moisescu

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1 aprilie 1932 - 20 octombrie 2016

Valeriu Moisescu 
 face parte din promoţia de aur, care a absolvit Institutul de Teatru din Bucureşti în 1956.
 La clasa de regie îndrumată de profesorul George Dem. Loghin, i-a avut colegi pe Lucian Pintilie, Radu Penciulescu, Mihai Dimiu, Sanda Manu, artişti care au produs ulterior mişcarea de reteatralizare a teatrului românesc.
Timp de patru decenii, la Teatrul de Stat din Galaţi (1956–1964), Teatrul de Stat din Oradea (1959–1961), Teatrul de Stat din Ploieşti (1961–1964), Teatrul „Lucia Sturdza Bulandra” (1964–1990), dar şi la Iaşi, Craiova, Sankt-Petersburg, a realizat peste 120 de spectacole, multe dintre acestea fiind astăzi repere ale spectacologiei româneşti.
În ultimii 35 de ani, s-a dedicat cu pasiune şi pedagogiei, fiind maestrul multor generaţii de regizori. A fost şeful catedrei de regie Teatru, scenografie, coregrafie din cadrul Academiei de Teatru şi Film (1991–2000).
A tradus şi a dramatizat, a publicat peste 200 de articole teoretice şi mărturii de creaţie. Din octombrie până în 1995 a avut rubrică permanentă în revistele „Teatrul” şi „Teatrul azi”, intitulată „Însemnări contradictorii”, ulterior publicate în volum la Editura UNITEXT.
Este iniţiatorul seriei de studii „Maeştri ai teatrului românesc în a doua jumătate a secolului al XX-lea” din cadrul Centrului de cercetări, studii şi experimente teatrale „Crin Teodorescu” al UNATC „I.L. Caragiale”.
În 1998, a fost distins cu premiul UNITER pentru întreaga activitate. 

Persistenta memoriei 


Bach Double Violin Concerto in D Minor

SAB 2016 (1)

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La SAB & Accesorii 2016 au fost prezente marcile Abarth, Alfa Romeo, BMW, Citroën, DS, Fiat, Ford, Hyundai, Honda, Isuzu, Jaguar, Jeep, Kia, Land Rover, Maserati, Mazda, Mercedes-Benz, Mini, Mitsubishi, Nissan, Opel, Peugeot, Seat, Skoda, Suzuki, Volvo.
( mai multe informatii in postarea de maine )

SAB 2016 (2)

Castelul Iulia Hasdeu – Campina

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One of the greatest mysteries in the entire country of Romania is the Castle of Julia Hasdeu, located in the town of Câmpina, 40 km north from Ploiesti.

Julia Hasdeu died in 1888, at the age of 18, from Tuberculosis, and her tomb is in Belu cemetery, in Bucuresti/Bucharest. Deeply affected by his daughter's death, her father, B.P. Hasdeu, started in 1893 to build a castle on a small piece of land in Câmpina and, between 1888 and1891 arranged the tomb of Julia, in Belu cemetery, in Bucharest. The wife of B.P. Hasdeu, and Julia's mother, died in 1902 and B.P. Hasdeu died in 1907. Julia was a very smart child, well versed in the French language and a good writer, even from a small age (about 4 years old) and her loss was a real disaster for her father who never accepted this fact. B.P. Hasdeu tried all his life to communicate with the spirit and soul of the dead Julia, to which end he called in a lot of specialist people to help him do so, and he also asked a lot of friends to help him on this way (spiritualism). There are a lot of documents from those times which discuss the activity of B.P. Hasdeu in spiritualism and also there are two places (the Castle from Câmpina and the tomb from Belu/Bucharest), used in this way by him and his friends. There are many stories in connection with the Castle and the Tomb, but there are also point of views of a lot of specialists who do not give any importance to those stories.
Julia's Castle is built in the middle of a small town called Câmpina, in the middle of a small park, with a lot of trees and grass around. The castle consists of a central tower and two smaller towers, around it. The look of the castle is unusual for our country and the story says that the castle was designed and built specially for ghost activity by B.P. Hasdeu, in remembrance of his daughter. The castle is built based on the magic numbers 3 and 7, having, for example 3 towers, 3 underground rooms and steps formed of 7 steps each. The main entrance to the castle is a huge door made of stone, supposedly fixed on a diamond bearing, and the door rotates around this axis easily, then the door shuts itself, said to be because of the rotation of the Earth
Una dintre cele mai misterioase locatii din Romania este castelul Iulia Hasdeu, aflat in orasul Campina, la 40 km nord de Ploiesti.

Iulia Hasdeu a murit in 1888 la 18 ani de tuberculoza si se afla inhumata in cimitirul Belu din Bucuresti. Profund afectat de pierderea ficei, tatal ei, B.P. Hasdeu, in 1893 a inceput constructia unui castel pe terenul din Campina, si intre 1888-1891 a amenajat mormantul acesteia din cimitirul Belu. Sotia lui B.P. Hasdeu si mama Iuliei a murit in 1902, iar B.P. Hasdeu a murit in 1907. Iulia a fost un copil extrem de inteligent, cunoscatoare de limba franceza si scriitoare de la o varsta mica, iar pierderea sa a fost un adevarat dezastru pentru tatal ei care nu a acceptat niciodata acest fapt. B.P. Hasdeu a incercat permanent sa intre in comunicare cu spiritul si sufletul Iuliei, motiv pentru care a apelat la persoane specializate in spiritism si la un grup de prieteni intelectuali care sa il ajute in acest sens. Exista foarte multe documente de epoca legate de activitatea spiritista a lui B.P. Hasdeu si exista doua locatii (castelul din Campina si mormantul din cimitirul Belu din Bucuresti), care au fost folosite in acest scop. Exista foarte multe legende si povesti legate de castel si mormant, dar exista si puncte de vedere ale specialistilor care nu acorda o importanta prea mare acestor intamplari. 

Pasărea Rock - Baniciu, Kappl & Lipan

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Mircea Baniciu, Josef Kappl şi Ovidiu Lipan-Ţăndărică sunt muzicieni prodigioşi care, atunci când se unesc într-un proiect comun, dezlănţuie fiarele din fabule. Ajunşi la vârsta maturităţii artistice, fiecare dintre cei trei are înţelepciunea de a nu se rupe de trecut, ci de a căuta în experienţa comună a tinereţii, puterea şi forţa de a duce mai departe o poveste care a făcut legendă.

Mircea Baniciu este vocea inconfundabilă a Cantafabulelor, Josef Kappl este unul dintre compozitorii de geniu a celui mai titrat album rock românesc al tuturor timpurilor, iar Ovidiu Lipan-Ţăndărică spiritul viu şi energia unui proiect foarte nou şi vechi deopotrivă.
Fiecare dintre cei trei a dezvoltat ample proiecte individuale, însă involuntar şi irezistibil se simt atraşi de "formula" care i-a consacrat.

Pasărea Rock anunță o veste de ultimă oră: cooptarea lui Sorin Voinea la clape, în calitate de colaborator, un muzician desăvârșit și un vechi coleg al lui Mircea Baniciu, cu care a avut nenumărate colaborări și Nicu Patoi.

Mircea Baniciu - solist vocal, chitară *
Josef Kappl - chitară bass, voce *
Ovidiu Lipan - Țăndărică - tobe, percuție *
Sorin Voinea - clape, voce*
Nicu Patoi - chitare*

 

Songs from the Phenomenal Nothing

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Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

An you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
― Haruki Murakami, Kafka on the Shore

17 decembrie 1989

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17 decembrie 1989.
Ziua-n care Armata şi-a ciuruit poporul în Timişoara. 
„Am văzut-o pe mama împuşcată în cap. Tata era ghemuit, nimerit în stomac“ 

http://adevarul.ro/locale/timisoara/title-1_5490a929448e03c0fdcf6496/index.html
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